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Feedback Drones Wav Pack - Beat Breakdown by Royal Dean
Hear the results
Feedback Drones Wav Pack is versatile and can find a happy home in many contexts be it producing, horror or drama scoring, beat making, or sound design, these wavs are ready to be used by you!
Listen to Feedback Drones
Defying categorization
Feedback Drones is a powerful, dynamic and inspiring library that will blow you away. No matter the type of music you make be it cinematic scoring, sci-fi, horror, ambient, suspense new age, pop, trailer work, dance music, beats and beyond, we strongly believe you’ll find a wide range of ways to use Feedback Drones for your music creation.
What does an ocarina, male vocals, 1960’s organ, trumpet, wine glasses, wind chimes, out of tune piano, and a trombone have in common?
Feedback.
What would it sound like if while you're recording various instruments you purposely allow feedback from the studio monitors to creep into the recording? What if this feedback took over sonically? What if it was the focus? Feedback has pitch, attitude, grows and morphs in interesting ways and is deep, dark, mystical and extremely musical. You will have to hear it to really understand all that is Feedback Drones. These feedback drones are 50 seconds to 2 minutes long and are available in their full length here in the wav pack.
Features and Specs
Features:
• Drag, drop, cut, and manipulate with Feedback Drones Wav Pack - while functioning well in horror, suspense, drama settings, this wav pack is ideal for producing, beat making and sound design and further processing for all of your musical creations.
• Wav file names include the main root note of the sound for ease of use so you can drag and drop these files into your DAW of choice.
• Divided into 3 categories including: Drones, High Drones, Movements, with multiple sub folders in each for easy navigation.
Specs
• Size of Wav Pack Folder: 3.96GB.
• Number of Wav Files: 158.
• Each wav file ranges from 0:50-2:15 in length.
• 24bit / 48k uncompressed wav sample files.
• Download link and access code delivered by Pulse and will be available via the Pulse App.
• Want our more than just wav files? Click here to learn about the Feedback Drones full Kontakt version.
Sample Folder List:
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Bone Chill
FD_Bone_Chill_1_Full_(F#).wav
FD_Bone_Chill_2_High_(F#).wav
FD_Bone_Chill_3_High_(F#).wav
FD_Bone_Chill_4_High_Pair_(F#).wav
FD_Bone_Chill_5_Low_(F#).wav
FD_Bone_Chill_6_Low_(F#).wav
FD_Bone_Chill_7_Low_Pair_(F#).wav
FD_Bone_Chill_8_Oct_Pair_(F#).wav
FD_Bone_Chill_9_Oct_Pair_(F#).wav
Bone Tormentor
FD_Bone_Tormentor_1_FX_(F#).wav
FD_Bone_Tormentor_2_Less_FX_(F#).wav
FD_Bone_Tormentor_3_High_(F#).wav
FD_Bone_Tormentor_4_High_(F#).wav
FD_Bone_Tormentor_5_High_Pair_(F#).wav
FD_Bone_Tormentor_6_Low_(F#).wav
FD_Bone_Tormentor_7_Low_(F#).wav
FD_Bone_Tormentor_8_Low_Pair_(F#).wav
FD_Bone_Tormentor_9_Oct_Pair_(F#).wav
FD_Bone_Tormentor_10_Oct_Pair_(F#).wav
Chernobyl
FD_Chernobyl_1_Full_(B).wav
FD_Chernobyl_2_High_Pair_(A&A#).wav
FD_Chernobyl_3_Low_Pair_(A&A#).wav
FD_Chernobyl_4_Oct_Pair_(A#).wav
FD_Chernobyl_5_Oct_Pair_(B).wav
FD_Chernobyl_6_(A#).wav
FD_Chernobyl_7_(A#).wav
FD_Chernobyl_8_(A#).wav
FD_Chernobyl_9_(A).wav
FD_Chernobyl_10_(B).wav
FD_Chernobyl_11_(A).wav
FD_Chernobyl_12_(B).wav
FD_Chernobyl_13_(B).wav
FD_Chernobyl_14_(B).wav
Geiger Counter
FD_Geiger_Counter_1_Full_Dry_(A#).wav
FD_Geiger_Counter_2_Full_FX_(A#).wav
FD_Geiger_Counter_3_Dry_(A#).wav
FD_Geiger_Counter_4_FX_(B).wav
FD_Geiger_Counter_5_Pair_(A#).wav
Old Yeller
FD_Old_Yeller_1_Full_(F).wav
FD_Old_Yeller_2_High_(G#).wav
FD_Old_Yeller_3_Low_(G#).wav
FD_Old_Yeller_4_Rev_(F).wav
FD_Old_Yeller_5_Full_(F).wav
FD_Old_Yeller_6_Pure_(G#).wav
Primitive
FD_Primitive_1_Full_(G).wav
FD_Primitive_2_Full_(G).wav
FD_Primitive_3_Full_(G).wav
FD_Primitive_4_(G).wav
FD_Primitive_5_(G).wav
FD_Primitive_6_(G).wav
Radioactive
FD_Radioactive_1_Full_(G#).wav
FD_Radioactive_2_Full_(G#).wav
FD_Radioactive_3_Oct_Pair_(G#).wav
FD_Radioactive_4_Oct_Pair_(G#).wav
FD_Radioactive_5_Oct_Pair_(E).wav
FD_Radioactive_6_Oct_Pair_(E).wav
FD_Radioactive_7_(G#).wav
FD_Radioactive_8_(E).wav
FD_Radioactive_8_(G#).wav
FD_Radioactive_9_(E).wav
FD_Radioactive_10_(E).wav
FD_Radioactive_11_(E).wav
Wandering
FD_Wandering_1_(B).wav
Warning
FD_Warning_1_Less_FX_(F).wav
FD_Warning_1_More_FX_(F).wav
FD_Warning_2_Less_FX_(D).wav
FD_Warning_2_More_FX_(D).wav
FD_Warning_3_Less_FX_(D).wav
FD_Warning_3_More_FX_(D).wav
FD_Warning_4_Less_FX_(F).wav
FD_Warning_4_More_FX_(F).wav
Whine Time
FD_Whine_Time_1_Full_FX_(C#).wav
FD_Whine_Time_1_Full_Less_FX_(C#).wav
FD_Whine_Time_2_(C#).wav
FD_Whine_Time_3_(C#).wav
FD_Whine_Time_4_(C#).wav
Whisper Chant
FD_Whisper_Chant_1_Less_FX_(G).wav
FD_Whisper_Chant_1_More_FX_(G).wav
FD_Whisper_Chant_2_Less_FX_(G).wav
FD_Whisper_Chant_2_More_FX_(G).wav
FD_Whisper_Chant_3_Less_FX_(G).wav
FD_Whisper_Chant_3_More_FX_(G).wav
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Chinese Wind
FD_Chinese_Wind_(F).wav
FD_Chinese_Wind_FX_(F).wav
Pure
FD_Pure_1_Full_(E).wav
FD_Pure_2_High_(E).wav
FD_Pure_3_Low_(E).wav
FD_Pure_4_Even_Lower_(E).wav
Whisps
FD_Whisps_1_Full_Dry_(A#).wav
FD_Whisps_2_Full_FX_(A#).wav
FD_Whisps_3_High_Dry_(A#).wav
FD_Whisps_4_High_FX_(A#).wav
FD_Whisps_5_Low_Dry_(A#).wav
FD_Whisps_6_Low_FX_(A#).wav
Windchime
FD_Windchime_(F).wav
Wine Glass
FD_Wine_Glass_1_Full_(D).wav
FD_Wine_Glass_2_Rev_(D).wav
FD_Wine_Glass_3_(D).wav
-
Breath Death
Breath_Death_1_(D#).wav
Breath_Death_2_(D#).wav
Earthbound
FD_Earthbound_1_Full_(G).wav
FD_Earthbound_2_Pair_(G).wav
FD_Earthbound_3_Pair_(G).wav
FD_Earthbound_4_(G).wav
FD_Earthbound_5_(G).wav
FD_Earthbound_6_(G).wav
FD_Earthbound_7_(G).wav
Morbid Mist
FD_Morbid_Mist_1_Full_(F#).wav
FD_Morbid_Mist_2_High_(G).wav
FD_Morbid_Mist_3_High_(D).wav
FD_Morbid_Mist_4_Low_(G).wav
FD_Morbid_Mist_5_Low_(G).wav
FD_Morbid_Mist_6_Low_(D).wav
Murky Swamp
FD_Murky_Swamp_1_Full_Tritone_(F&B).wav
FD_Murky_Swamp_2_Low_(B).wav
FD_Murky_Swamp_3_Low_(F).wav
FD_Murky_Swamp_4_Mist_(F).wav
FD_Murky_Swamp_5_Misty_Misfit_(F).wav
FD_Murky_Swamp_6_Misty_Echoes_(F).wav
FD_Murky_Swamp_7_Misty_Echoes_(F).wav
Ocarina 1
FD_Ocarina_1_Full_(E).wav
FD_Ocarina_2_High_(E).wav
FD_Ocarina_3_Low_(E).wav
FD_Ocarina_4_Rev_(E).wav
Ocarina 2 Stretched
FD_Ocarina_2_Stretched_1_Full_(E).wav
FD_Ocarina_2_Stretched_2_High_(E).wav
FD_Ocarina_2_Stretched_3_Low_(E).wav
FD_Ocarina_2_Stretched_4_Full_Rev_(E).wav
Ocarina 3 Stretched
FD_Ocarina_3_Stretched_1_Full_(E).wav
FD_Ocarina_3_Stretched_2_High_(E).wav
FD_Ocarina_3_Stretched_3_Low_(E).wav
Old Hotel
FD_Old_Hotel_1_Full_(F).wav
FD_Old_Hotel_2_Full_Rev_(F#).wav
FD_Old_Hotel_3_High_(F).wav
FD_Old_Hotel_4_Low_(F).wav
Old Hotel Slow
FD_Old_Hotel_Slow_Full_(F).wav
FD_Old_Hotel_Slow_High_(F#).wav
FD_Old_Hotel_Slow_Low_(F#).wav
Old Yeller 2
FD_Old_Yeller_2_1_Full_(G#).wav
FD_Old_Yeller_2_2_Low_(G#).wav
FD_Old_Yeller_2_3_Rev_(G#).wav
Primitive Chant
FD_Primitive_Chant_1_Less_FX_(G).wav
FD_Primitive_Chant_1_More_FX_(G).wav
FD_Primitive_Chant_2_Less_FX_(G).wav
FD_Primitive_Chant_2_More_FX_(G).wav
FD_Primitive_Chant_3_Less_FX_(G).wav
FD_Primitive_Chant_3_More_FX_(G).wav
FD_Primitive_Chant_4_Less_FX_(G).wav
FD_Primitive_Chant_4_More_FX_(G).wav
FD_Primitive_Chant_5_Less_FX_(G).wav
FD_Primitive_Chant_5_More_FX_(G).wav
Star Reach
FD_Star_Reach_1_Full_(F#).wav
FD_Star_Reach_2_High_(F#).wav
FD_Star_Reach_3_High_(F#).wav
FD_Star_Reach_4_Low_(F#).wav
FD_Star_Reach_5_Low_(F#).wav
FD_Star_Reach_6_Oct Pair_(F#).wav
FD_Star_Reach_7_Oct_Pair_(F#).wav
The recording and sampling process
Microphones were set up in our acoustically treated studio to record the output of the feedback while also recording various instruments in real time that were captured along with the feedback. These feedback moments were then manipulated, chopped up, effects added, reversed, pitched, etc to create unique soundscapes. Various combinations of the feedback were combined to create bigger moments as well as retaining some of the smaller simpler feedback drones. These various combinations are all represented in the library giving you a lot of control and choice.
Recorded at Triumph Studios
Feedback Drones Testimonials
Kevin Blumenfeld
“This library is like the BLT of sample libraries. Never a bad time for a BLT. It goes with everything and makes everyone happy. I absolutely love how much variety you gethere. The drones have a surprisingly awesome mix depth along with a diverse range. The leads are so much fun to play with and they can sit well in just about any soundscape. There’s honestly something for everything.”
Credits: Into the Dark, Night Owls, Additional Music: Tetris, Ambulance.
Joshua Mosley
“Wow. Feedback Drones does not disappoint! This library is so deep and takes you down so many creative rabbit holes. It definitely has a permanent place in my sound palette moving forward.”
Credits: My Dad The Bounty Hunter - Netflix, Fortnite - Epic, The Walking Dead: Saints & Sinners - Skydance Interactive
Andrew Morgan Smith
“Feedback Drones has a great showing of textures and ideas you can creatively sculpt. Whether you need atmospheric soundscapes or to layer in more organic processed sounds with your work, this is a great tool! It definitely surprised me with the variety of textures and tones.”
Credits: The Old Way, The Owl House, and You Might be the Killer
Craig Dobbin
“When I buy a new library I usually hope to find one or two sounds that I can add to the arsenal. With Feedback Drones, I want to add them all! Almost every patch I opened inspired an idea and I have barely scratched the surface of what this library is capable of! Will definitely be putting this to use right away.”
Credits: NCIS Los Angeles, and Discovery Channel Shark Week
Happy Accidents
“As I was recording one day I left the studio monitors on and as I was listening to that feedback I decided to turn up and down my control room volume and see if I could control the sound. I was able to get it to ebb and flow a bit and it was amazing how the feedback truly sounded like a little musical being. A little beast that needed to be tamed and reined in a bit. This feedback was pure and raw but also had some gritty vibes. Because it wasn’t coming from guitar amps or a noisy room I was able to capture it purely.
Feedback Drones Wav Pack is truly a library brought about from happy accidents. But more than that, it came about from being intentional ABOUT the happy accidents. Being open to the paths in front of you and embracing the unknown and unexpected.”
Kevin Manthei discussing the creation point of Feedback Drones via our Blog
